Vegetarisk

Oändliga verkligheter / Realidades eternas

När operan kom till byn

The Drama of Memory in Shakespeare's History Plays

Att tala betyder att handla: Om röstundervisningen vid Teaterhögskolan i Stockholm

Unmasking Theatre Design: A Designer's Guide to Finding Inspiration and Cultivating Creativity

Dr Jekyll and Mr Hyde

Geometry and Atmosphere

Creative Shakespeare

Beckett: Waiting for Godot

Ringar på vattnet : Wermland Opera 2015-2019

1. akt begynder med dig

The Stanislavsky System of Acting

Us/Them

One Minute Plays

Shakespeare and the Force of Modern Performance

Postdigital Performances of Care

Yes? No! Maybe…

Theaterwerkstatt für Kinder

The Speech-Gesture Complex

Lie Low

A Korean Approach to Actor Training

Contemporary Monologues for Women

There Are No Beginnings

Theaterspielen als ästhetische Bildung

The Pina Bausch Sourcebook

Popular Musical Theatre in London and Berlin

The Ornament of Action

Gjennom koreografi = Through choreography

Att växa sidledes : tematik, barnsyn och konstnärlig gestaltning i Suzanne Ostens scenkonst för unga

Scenic Design and Lighting Techniques

Beckett in Performance

Writing Performative Shakespeares

A History of Asian American Theatre

Playing the Other

"Gudomlig, ingenting mindre än gudomlig!" skådespelerskan Ellen Hartmans iscensättningar på scen och i offentlighet

Wrestling with Shylock

Brecht and Tragedy

Elizabethan Popular Theatre

The English Actor

Teater i Sverige

Ateria

Grounds for Play

Shining City

Hätäisesti hirtetty

The African American Theatrical Body

This May Hurt A Bit

Twenty-First Century American Playwrights

Women and Victorian Theatre