Amat, an artist who specializes in stains, did not miss this opportunity to document this manifestation of traditional folklore and anthropological significance. Immersed in the tumult black tar, recording with his camera the ink-stained celebrants, Amat produced a series of images on which later he made subtle interventions with black paint, bringing out a sense of movement, masking a face, or underlining a fleeting trace. The dance of ink with ink is heightened into a striking dialogue of blackened surfaces.