New Vampire Cinema lifts the coffin lid on forty contemporary vampire films, charting the evolution of the genre. Ken Gelder's study begins by looking at Francis Ford Coppola's Bram Stoker's Dracula and Fran Rubel Kuzui's Buffy the Vampire Slayer and then examines what happened afterwards, across a range of reiterations and settings: the suburbs of Sweden (Let the Right One In), the forests of North America (the Twilight films), Mexico (Cronos, From Dusk Till Dawn), Japan (Blood: The Last Vampire, Vampire Hunter D: Bloodlust), Australia (Daybreakers), and elsewhere. In a series of readings, Gelder determines what is at stake when the cinematic vampire and the modern world are made to encounter one another – where the new, the remake and the sequel find the vampire struggling to survive the past, the present and, in some cases, the distant future.